During the 2003/4 summer’s tests in Australia, the entrance of the players to the field was greeted with the sounds of the coldplay song clocks. This at first seemed an incredibly dull and obscure choice to greet the commencement of a session of fine test cricket. By the end of the summer it had come to seem appropriate. I guess (I thought) more through sheer force of repetition than any symbolic or analogical relation. For this ashes series bloody coldplay are working their way into my experience of the tour in another way. They release this song just before the tour begins that, well, the first time I hear it I almost die from boredom right there on the spot. I hope I never have to hear the song again. As things get underway a thread begins to run through my blog of a movement from beneath the ground to more astral positions. A launching forth from out of a secret underground dwelling – a base. I do hear that damn coldplay song again & again, of course. I realise its a frikkin theme tune. Lights, birds (remember Dizzy is a bird and he’s been wrestling with mountains), bursting, flying from underground – there’s lots of noise and unbelievably spectacular goings on – If you could see it then you’d understand. Now I’m driven to go and buy the single and I feel I am betraying everything I could ever be.
03/04 – coldplay have a song turned into a cricket anthem by the official dj to Cricket Australia.
(Even before that, I remember now, that tiresome sickly yellow tune used to be Warney’s theme for the one-dayers.)
Ashes 05 – now they’ve gone and written a song that is making itself into a cricket anthem.
Maybe coldplay deserve more credit, maybe there really is something fundamentally cricket-like in the tedium their music induces and the patterns they work with. This is not a research project I want to take on so I am giving it away to whoever wants it – it’s all yours.