waca 2 v adelaide v

the lead up to the commencement of todays play felt hauntingly similar to the lead up to the 5th day at adelaide. australia needed wkts quick, one or two big partnerships could take the game away from them. at 11.43am on day 5 in adelaide strauss was given out caught at short leg and an english collapse ensued. replays showed that strauss had been hard done by, the ball coming straight off the pad with no involvement from the bat. at 11.43am in perth today strauss was given out caught behind. there was certainly a sound like ball hitting bat but replays showed that the two never met. from this point on england struggled.

in cricket time is never continuous. segments of time repeat themselves or appear out of sequence. many remember before the historic ashes series in 05 that mcgrath predicted a 5-0 result to australia. mcgrath predicted the same result previous to this series. there have been those who have laughed at for his tired prophetic attempts. but there is another possibility. in fact mcgrath only ever predicted the 5-0 result for the current ashes series. the moment of the prediction entered a purely cricket appropriate slippage and appeared prior to the 05 series. 05 5-0 is purely an error of memory. when the prediciton was repeated prior to the current series it was in fact being stated for the first time, the originary moment. 05 5-0 was one of those replays where for a moment you think you’re watching the live action and your heart feeling that a wkt has fallen enters your mouth for a moment .

takeshi kitano once made a film about baseball called boiling point (in english language world release anyway – in japanese release its called 3-4x 10 gatsu, which is something like the 3rd and 4th of october). discontinuity of time and narrative in this film is audaciously played out. film critic casio abe in his book takeshi kitano v beat takeshi discusses the films construction in terms of a theory of baseball. a distribution of characters and situations. at a very simple level a theory of cricket would seem to posit similar ideas. cricket is of course far more complex than baseball. kitano’s film i think is far more complex than baseball and in fact it is likely he uses baseball only as a culturally recognisable tool. if he had suggested a film about cricket it would have been far too obscure for any japanese production house. through this work kitano makes baseball into cricket.

pietersens range continues to expand wildly – rain god, new planet, anime fighter pilotdegas subject – the way he trips down the wkt and pirouettes v mcgrath.

day 12 poem : player profile of glenn mcgrath

charles bronson : once upon a time in the west

when henry fonda

shot him he was only a boy at

the same moment

not too far away the boy

is already grown into

the hardest of men

____________ and he is

counting on revenge

the mathematics is not difficult though

the victims have multiplied to

extraordinary powers

he can recall them all and

list their names a true lord of time

angels of vengeance do not forget hes

the fullness of time keep

adding and

whittlin til everything = 0

day 11 poem

9

boonys the new name for this country

dont bag it

something orange in the white

pitch is a desert

oasis nd pursing lips

gilchrist lvs lehmann 4eva itd be

good to be 3

– 0 up the monstrous activity that just ejects the ball

into the perfect channel

9 sitting sitting

for him nd fr england

running frever

spinner v spinner settle settle nd collingwood gets

some advice for free

from 1st slip

body shape nd the balance close in

on the green tones field set square

singles significant

waca 1 reversal

man i wanted to be at the waca today, the rickety stands and all the grass, the tones of green on the square were 2nd to none. the tonal modulation of the cricket pretty much matched it. giles looked frikkin great as 12th man – he’ll do a sterling job. pietersen looked brilliant with his little fighter pilot tache. the perfect maybe dashing maybe slightly dopey ghibli villain.

the match began amid endless chatter about about pitches not being what they used to, a call for the old consistency of variable pitches across the world as opposed to the new consistency of pitches. typical traits. always on the first morning at the waca. never enough slips in the cordon for channel 9. the start of the match was almost identical to the start at the gabba, langer off the mark playing off his toes and falling over and then lots of loose but safe shots through gaps or over the cordon for 4. australia let loose and going wild. then hoggard produced a near perfect ball to dismiss hayden & then ponting in the form off his life v harmison out of the form of his life but with one ball the reversal the series needed and harmy’s joy was unrestrained. it was as though the series started all over again again.

after these two wkts the game tightened up immensely. tight bowling, considered fighting batting. the day went on. wkts came out of the blue, just when australia looked to be cementing solid partnerships. no particularly great deliveries or poor shots but wkts all the same. i think langer let panesar bowl him just to make some sort of point about previous english selection – a sacrifice for the good of the game. he vaguely kind of pretended to try and keep it out. panesar was a joy to watch he had a bit of dance in his delivery and he ejects the ball on a nice trajectory. and the wkt comes he’s got a heap o dance in him then. symonds was a one over wonder and god its great to have him back too. harmison bowled a great spell to the tail.

with panesar in and harmison in form the english team is almost far too likeable. i guess the batsmen are still poms and lack any charm (barring KP of course), but as a bowling side i reckon theyre tops.

but if id been at the waca i would have missed the highlights reel of martos career that they played during the cricket show. i couldve watched it forever. hope theres a dvd.

TRIBUTE – marto forever

a fine stroke by marto retiring without the fanfare he’s never enjoyed of a swan song at the waca, fine timing such that everyone will forever remember that great adelaide test of the 06/07 ashes series as marto’s last test. retiring after the perfect innings. i love a good one shot innings and really there’s been none more perfect than marto’s on that final day at adelaide v flintoff. marto, cheers for the mems

mate.

marto : slow motion highlights reel in sepiatone

roll on heavy roller

roll on slowly on

roll marto be

a slow cool boundary soon or

once

timing

is dispersed the whole field imparting

marto place

yourself in here vistas will open up for you big you

envy the shots he gets to feel in his hands

once cutting up the face

of a square

cut whore 4eva nail

polish manoeuvres barely visible

i cannot see marto steve w

takes on a whole new meaning after retirement

barely visible healthy

eating baby trepidation and style

he is a marigold man grass over grass

blades imparting

all force imparting timing

on his chest cricket flowers orange off the back foot

drives through the

snow covers

everything where the world should be looking

read all posts in category marto

marto poems : sonny rollins, ]untitled[, border-gavaskar trophy 03/04 : gabba, ponting v marto, damien martyn

mcgarth

my loyal readers you may remember a scoop that was broken by one of my superlowkey cricket infiltrators back in 05 regarding glenn mcgrath and the transformation he was preparing himself to undergo immediately the right moment arrived. Further research into this unusual, perhaps slightly unreasonable, tactic of mcgraths reveals that it is not a new strategy, but in fact a process that has been going on since the beginning of time. As in the contemporary moment we await the morphing of glenn mcgrath into glinn mcgrith, there was a historical moment in which another cricketer passed into the mcgrath state. And before that a whole metempsychotic series of precedents to what is most easily referred to as glenn mcgrath. There is a character in popular japanese mythology known as gankutsuou, or the king of the caves. This figure is the immortal energy of purified revenge that embodies itself in chosen beings unleashing series of vengeful action. When gankutsuou leaves the cave & possesses its next fast bowler everything becomes vast & the rhythms of the cloud shapes are made significant by its power.

before glenn mcgrath there was garth mckenzie. if the anagrammatic closeness of the names and the matching smile lines around the eyes are not fully convincing, documentary evidence exists in which passers-by declare themselves to have witnessed the moment gankutsuou inhabited the garth. This line appears in garths player profile – nothing seemed to ruffle him, although when stirred he [was] possessed [by] a wicked bouncer.

day 10 poems

magnum ponting

mode warne perpetual

every note youve ever played

ham pineapple glamour on the hill

mcgraths cutter 2 2s in 2 hrs o england

this is a tough journey hussey

enjoys vultures monitor attitude devour uncertainty

angels appeal & grunt they have longevity

and bowling brains bones distributed

like gulls pressure solid

citizens clamour on the hill

useless water dont bradman like cricket

i sony it

and here’s one i prepared long before the series began :

player profile for ricky ponting

ahab

o you merry deep bowlers of

england where do you lead

me so silently my savage crew

my cheekbones

ache with longing beneath my

ruined face

my monomaniac object

harmison i have taken on your bones

long bones i choose you

harmison

i will dismember my

dismemberer