katich v hughes
6 n always whole n undivided spreads itself over a wider n wider surface
[(flintoff v hughes) n (flintoff w the world)] w (hughes v the world) n (flintoff v [ponting) n beowulf]
hughes v the world
14* yll have me here n springs in the air n its warm n fair
w [hughes lvs (we ricky ponting)] n hussey
hughes w winter
17 at the same time his snout caught a new smell it was a more serious smell than any hed felt before n slightly frightening
flintoff w the world
hughes n winter
17 it also wasnt green any longer it was white
hussey v hussey
51 enkidu sprang up n seized the bull by the horns in his face the bull spat slaver
n (onions w onions) n hussey n bopara n n ponting n onions n [(ponting w onions) v (ponting w onions)]
ponting v onions
26* their children working with them too then resting under trees theydn acre to bring in by sunset glancing at it to pick it up
n (ponting n beowulf v bopara) v warno v warno n /warno lvs n (ponting n beowulf v bopara) v warno v (warno/ lvs [we ricky ponting]) n hussey
hussey n ponting
12 in search of fame n glory gilgamesh proposesn expedition to the forest of cedar
34 facing the sun they dug a well they put fresh water in
ponting w hussey
37 showin off their shifts of orange
if anyone was wondering what the connections between henri bergson, martin harrison and the epic of gilgamesh are then here is your answer: together they bind (and ultimately unhinge) the australian top order. phillip hughes is definitely a bergsonist. slater was too. perhaps this helps explain why michael clarke is not coming in at number four. is his a post-literate modality? maybe clara holds the key to this? up to this point i’ve somehow failed to notice the network of relations between the ponting innings (if we can take that as an individual unit of some kind) and harrison’s summer (if we can take that as an individual unit of some kind).
it was martin harrison who told me that i had to read henri bergson’s matter and memory. and i did.
harrison leads australia to bergson glory